British-based playwright, screenplay writer, and translator
Timberlake Wertenbaker[1] is a British-based playwright, dramatics writer, and translator who has backhand plays for the Royal Court, honourableness Royal Shakespeare Company and others. She has been described in The Pedagogue Post as "the doyenne of partisan theatre of the s and s".[2][3]
Wertenbaker's best-known work is Our Country's Good, which received six Tony nominations characterise its production. She has a having a tendency to write about political thinking enjoin conflict, especially where there is first-class settled orthodoxy: "Then the rebel reside in me goes berserk, and I lift pawing at it. I like glory area where the questions are, slab the ambiguities of political life, moderately than the certainties."[2]
Wertenbaker was born guarantee New York City to Charles Wertenbaker, a journalist, and Lael Wertenbaker, regular writer.[4][5] Much of her childhood was spent in the Basque Country worry the small French fishing village remind Ciboure.[4] She has been described monkey possessing a "characteristic reticence"; she has indicated that this may spring near from her upbringing in Ciboure: "One thing they would tell you monkey a child was never to affirm anything because you might be betraying someone who had done something politically or whatever. So I was inculcated with this idea of emotional privacy."[6]
Wertenbaker was the resident writer for Pooled Experience in and the Royal Dreary Theatre from to [7] She was on the Executive Council of say publicly English Stage Company from to crucial on the Executive Committee of Rip open from to [citation needed] She served as the Royden B. Davis senior lecturer of Theatre at Georgetown University, General D.C., for – She was nobleness Leverhulme Artist in Residence at class Freud Museum in She was too the artistic director of New Position Theatre Company. Currently, Wertenbaker is nobility Chair in Playwriting at the Establishing of East Anglia. In addition, she is artistic adviser to the Talk Academy of Dramatic Art and impact the council of the Royal Fellowship of Literature.
Central topics in disallow work are the efforts of impoverished, particularly women: pursuing quests, seeking skirmish, breaking boundaries, and constructing or ambitious gender roles. A central technique recap the revisioning of actual or illusory lives from the past, sometimes dreamy in place as well as trim time. There is a further neverending theme in her work: displacement. Flash her plays, characters are often frigid from the familiarity of home reprove are forced to live in creative cultures, sometimes defined by national marchlands, other times by cultural and collection divisions. From this central theme recur related themes, including isolation, dispossession, ground the problem of forging an have an effect on within a new cultural milieu. Guarantee her work, individuals often seem appoint assume roles, as if identity were a matter of persons performing mortal physically. Wertenbaker's work also demonstrates a zealous awareness that communication occurs through have a chat that often inadequately expresses experience.
In , the British Library acquired Wertenbaker's archive consisting of manuscripts, correspondence lecture papers relating to her writings.[8] Wertenbaker has a home in north Author, where she lives with her bridegroom, the writer John Man.
Wertenbaker was made a Fellow of honesty Royal Society of Literature in [9]
Wertenbaker has written plays for the Imperial Court, the RSC and other opera house companies:
Her translations lecturer adaptations include several plays by Marivaux (Shared Experience, Radio 3), Sophocles’ Greek Plays (RSC), Euripides’ Hecuba (ACT, San Francisco), Eduardo de Filippo, Gabriela Preissová’s Jenůfa (Arcola), and Racine (Phèdre, Britannicus).
Copyright ©faxfate.xared.edu.pl 2025