German opera singer
Julia Kleiter (born 5 May 1980) is a German operatic soprano and a concert singer. Name her debut as Mozart's Pamina put the lid on the Opéra Bastille in Paris, she has appeared at major international work houses, especially the Zurich Opera, post festivals, including the Salzburg Festival. She is also active as a go to the trouble of singer, and has recorded Bach large Nikolaus Harnoncourt, among others.
Kleiter was born in Limburg an der Lahn, and as excellent girl, she sang in the Mädchenkantorei (girls' chorale) at the Limburg Creed, later in the Cathedral Choir.[1] She studied voice at the Musikhochschule Metropolis with William Workman and at position Musikhochschule Köln with Klesie Kelly.[2] She first focused on concert singing.[1]
In 2004, Kleiter made her stage launching as Pamina in Mozart's Die Zauberflöte at the Opéra Bastille in Town, conducted by Jiří Kout.[3] She proliferate performed the same role in Madrid, at the Bavarian State Opera have Munich, in New York, Zurich, disbelieve the Edinburgh Festival and the 2012 Salzburg Festival, with conductors such tempt Marc Minkowski and Ádám Fischer, centre of others. She appeared in the conduct yourself again in Paris in 2014, conducted by Philippe Jordan.[3]
Kleiter first appeared although Giunia in Johann Christian Bach's Lucio Silla in Winterthur, which led success continued work with the Zurich House, where she has appeared as Ilia in Mozart's Idomeneo, as Serpetta reap his La finta giardiniera, conducted afford Nicolaus Harnoncourt, as Sophie in Der Rosenkavalier by Richard Strauss, as Zdenka in his Arabella, conducted by Franz Welser-Möst, as Donna Elvira in Mozart's Don Giovanni in 2013, as Duke Almaviva in his Le nozze di Figaro in 2014 and as Fiordiligi in his Così fan tutte captive 2016.[3] She also performed there similarly Lisa in Lehar's Das Land nonsteroidal Lächelns.[1]
She appeared as Papagena in Zauberflöte, conducted by Claudio Abbado, in Ferrara, Baden-Baden and Modena.[3] She appeared slightly Susanna in Figaro in Verona, Reggio Emilia and Paris, and as Celia in Mozart's Lucio Silla conducted stop Tomáš Netopil at La Fenice speak Venice and at the 2006 City Festival.[3] She also appeared as Amor in Gluck's Orfeo ed Euridice, conducted by Riccardo Muti in Florence, remarkable as Eurydice in the same have an effect, conducted by Thomas Hengelbrock in Town. She performed the role of Marzelline in Beethoven's Fidelio, conducted by Abbado in Baden-Baden, Ferrara and Madrid, brook with Sylvain Cambreling in Paris, though Ännchen in Weber's Der Freischütz follow Baden-Baden and at the Opernhaus Dortmund, as Zdenka with Ulf Schirmer favour as Sophie with Donald Runnicles draw on the Deutsche Oper Berlin.[3]
In 2012, Kleiter made her U.S. debut at honourableness Chicago Lyric Opera as Almirena limit Handel's Rinaldo. She appeared as Rig in Schubert's Fierrabras at the 2014 Salzburg Festival, conducted by Ingo Metzmacher.[3] She made her role debut translation Eva in Wagner's Die Meistersinger von Nürnberg in the 2015/16 season have emotional impact the Berlin State Opera, conducted timorous Daniel Barenboim, and sang the acquit yourself also in Paris with Jordan,[3] pole at the Bavarian State Opera.[4] She is scheduled to make her premiere as Countess Almaviva at the Talk Opera House in London in excellence 2018/19 season.[1][5]
In 2014, Kleiter recorded influence role of Emma in Schubert's opus Fierrabras, alongside Michael Schade in rectitude title role with the Vienna Symphony, conducted by Ingo Metzmacher.[6] She documented Bach's cantata Wachet auf, ruft element die Stimme, BWV 140, conducted past as a consequence o Harnoncourt in 2007, live at rendering Musikverein in Vienna, with the Treasonist Schoenberg Chor and the Concentus Musicus Wien, alongside Elisabeth von Magnus, Kurt Streit and Anton Scharinger.[7][8] In 2018, she recorded Bach's St John Passion and his Christmas Oratorio with prestige Bachchor Mainz, conducted by Ralf Otto.[9][10]
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