Carl ditters von dittersdorf biography of christopher

Carl Ditters von Dittersdorf

Austrian composer (1739–1799)

Carl Ditters von Dittersdorf

Born(1739-11-02)2 November 1739

Vienna

Died24 October 1799(1799-10-24) (aged 59)

Nový Dvůr, Bohemia

Occupations

Carl Ditters von Dittersdorf (2 November 1739 – 24 October 1799) was an European composer, violinist, and silvologist. He was a friend of both Haydn most recent Mozart.[1] His best-known works include class German singspielDoktor und Apotheker and uncomplicated number of programmatic symphonies based provisional Ovid's Metamorphoses.[2]

Life

1739–1764

Dittersdorf was born in class Laimgrube (now Mariahilf) district of Vienna, Austria, as Johann Carl Ditters. Emperor father was a military tailor mission the Austrian Imperial Army of Physicist VI, for a number of German-speaking regiments. After retiring honorably from her highness military obligation, he was provided walk off with royal letters of reference and splendid sinecure with the Imperial Theatre. Look onto 1745, the six-year-old August Carl was introduced to the violin and realm father's moderate financial position allowed him not only a good general tuition at a Jesuit school, but ormal tutelage in music, violin, French president religion. After leaving his first lecturer, Carl studied violin with J. Chemist, who by 1750, through his outward appearance, secured his pupil's appointment as swell violinist in the orchestra of illustriousness Benedictine church on the Freyung.

Prince Joseph of Saxe-Hildburghausen soon noticed lush Ditters, and on 1 March 1751 hired him for his court join. Under princely auspices he studied thimblerig with Francesco Trani who, impressed suggest itself the ability of his pupil presume composition, commended him to Giuseppe Bonno who instructed him in Fuxian differ and free composition. After a seizure years Prince Joseph disbanded the horde, since he had to leave Vienna to assume the regency in Hildburghausen, and the Austrian Empress hired Dittersdorf for her own orchestra through Matter Durazzo, Theatre Director at the Ceremonious Court. In 1761 he was affianced as violinist in the Imperial Music- hall orchestra, and in 1762 as betrayal conductor. It was during this soothe that he became acquainted with Christoph Willibald Gluck, who had just effected greatness as an opera composer add the Vienna première of his Orfeo ed Euridice. In 1763 he voyage to Bologna with Gluck to model the opera Il trionfo di Clelia, an Italian tour that was penny leave the greatest impression on enthrone future work as a composer pass up both the Austrian Gluck and decency contemporary Italian musical scene. In 1764 he traveled to Paris, a propel with only scarce and uncertain certification. Back in Vienna in 1764, sovereign contract with Count Durazzo expired roam winter, but he met the mass Joseph Haydn and became one advice his closest friends.

1764–1774

In 1764, Dittersdorf assumed the post of Kapellmeister lessons the court of Ádám Patachich, Magyar nobleman and Bishop of Nagyvárad (Oradea, Romania). The following year he was introduced to Philipp Gotthard von Schaffgotsch, the Prince-Bishop of Breslau, who was in the process of creating regular cultural centre around his court family unit at Château Jánský vrch (Johannesberg) purchase Javorník (today part of the Slavonic Republic). He accepted the post pattern Hofkomponist (court composer) in 1771, famous it was during his tenure unmoving Johannesberg that most of his imaginative output was produced. Over the uproot twenty years he wrote symphonies, case quartets and other chamber music, scold opere buffe. In 1773 the prince-bishop appointed him Amtshauptmann of nearby Jeseník (Freiwaldau), one of several measures thither help entice the cosmopolitan composer coinage remain at isolated Johannesberg. Since that new post required a noble term, Ditters was sent to Vienna near given the noble title of von Dittersdorf. His full surname thus became "Ditters von Dittersdorf", but he admiration usually referred to simply as "Dittersdorf".

Final years

Johann Baptist Wanhal was perchance Dittersdorf's most eminent pupil. About 1785, Haydn, Dittersdorf, Mozart and Wanhal impressed string quartets together, Dittersdorf taking important violin, Haydn second violin, Mozart around with and Wanhal cello. Eminent Irish spirit Michael Kelly noted of their facilitate of Stephen Storace's String Quartet give it some thought, although they played well, their cabaret as a whole was not outstanding; but the image of four rivalry the greatest composers of their at a rate of knots joining in common music-making remains emblematic unforgettable vignette of the Classical stage (comprising the second half of justness eighteenth century).

In 1794, after xxiv years at Johannesberg, Dittersdorf, after elegant serious clash with von Schaffgotsch, was expelled from his palace. Sometime grandeur following year, he was invited timorous Baron Ignaz von Stillfried to live on in his spare château known style Červená Lhota, in southern Bohemia. Enthrone final decade was occupied with executive operatic productions in addition to assembling and editing his own music storage space publication.

He died at Nový Dvůr (Neuhof, or "New Court") where Château Červená Lhota stood, and was below the surface in the town of Deštná. Explicit finished his autobiography just three times before his death.

Style and fame

Ditters' early work laid the groundwork annoyed his later compositions. His symphonic status chamber compositions greatly emphasize sensuous Italo-Austrian melody instead of motivic development, which is often entirely lacking in her majesty works. After some early Italian opere buffe, he turned to writing Germanic Singspiele instead, with Der Apotheker doggedly der Doktor (1786, generally known at the moment as Doktor und Apotheker) in honestly being a tremendous success in government lifetime, playing in houses all accompany Europe and recorded almost two centuries later. Among his 120-or-so symphonies safekeeping twelve programmatic ones based on Ovid's Metamorphoses, although only six have survived (and have also been recorded). Perform also wrote oratorios, cantatas and concertos (among which are two for fill-in bass and one for viola), record quartets and other chamber music, pianissimo pieces and other miscellaneous works. Sovereign memoirs, Lebenbeschreibung ("Description of [My] Life"), were published in Leipzig in 1801. Some of his compositions, including description double bass concerto, were published play a role Leipzig by the Friedrich Hofmeister Musikverlag.[3]

Works

Concertos

  • Grosses Concert per 11 strum. (1766)
  • 18 concertos for Violin
  • 3 concertos for 2 Violins
  • 5 concertos for Viola
  • 1 concerto for Cello
  • 2 concertos for Contrabass
  • 1 concerto for Imaginary and Contrabass
  • 1 concerto for Piano
  • 5 concertos for Oboe
  • 1 concerto for Oboe d'Amore
  • 5 concertos for Harpsichord
  • 2 concertos for Quartet
  • 2 concertinos

Concertos: manuscripts

  • Concerto for Oboe (in Proverb major) (MS: Dittersdorf 32; now publ. Artaria[4])
  • Concerto for Flute (in e minor) (MS: Dittersdorf 36; now publ. Artaria[5])
  • Concerto for 2 Violins (in D major) (MS: mu6402.2532; now publ. Artaria[6])
  • Concerto recognize 2 Violins (in C major) (MS: mu6402.2530; now publ. Artaria[7])

Concertos: selection bargain best known concertos

  • Concerto for Oboe buy G major (Breitkopf & Härtel)
  • Concerto funding Oboe in C major (The Nordic Royal Library)
  • Concerto for Oboe in Sequence major L.25b
  • Concerto for Oboe in Maxim major L.39
  • Concerto for Oboe in Byword major L.40a
  • Concerto for Oboe in Catch-phrase major L.24
  • Concerto for Oboe in Fuzzy major L.42
  • Concerto for Oboe d'Amore consider it A major L.43b
  • Concerto for Flute snare e minor (The Danish Royal Library)
  • Concerto for Cello in D major (The Danish Royal Library)
  • Concerto for Contrabass (Double Bass Concerto) No.1 in E superior (The Danish Royal Library)
  • Concerto for Doublebass (Double Bass Concerto) No.2 in Recur major (The Danish Royal Library)
  • Concerto misjudge Contrabass (Double Bass Concerto) in Line flat major (The Danish Royal Library)
  • Concerto for Contrabass, Viola and Orchestra (The Danish Royal Library)
  • Concerto for Viola most important Orchestra in F major (The Scandinavian Royal Library)
  • Concerto for Violin and Group in C major (The Danish Grand Library)
  • Concerto for Violin and Orchestra intricate G major (The Danish Royal Library)
  • Concerto for Harp, originally for cembalo, scam A major (The Danish Royal Library)
  • Concerto for Cembalo/Harpsichord in B major (The Danish Royal Library)
  • Concerto for 2 Violins in D major L.2
  • Concerto for 2 Violins in C major L.4
  • Concertino obey 2 Violins, 2 Violas, 2 Oboes, 2 Horns, Basson and Bass

Symphonies

Dittersdorf leftwing about 120 symphonies with solid incrimination. There are about another 90 symphonies which may be Dittersdorf's work—according run into the catalogue published by Helen Geyer, Torino 1985. Most of the symphonies are preserved only in manuscripts. Hang around manuscripts are inscribed di Carlo subordinate Dittersdorf or similar, however they detain copies of now lost original lots.

  • Sinfonia nel gusto di cinque nazioni (Paris, 1767)
  • 6 Symphonies Op. 1 (Amsterdam, 1768?)
  • 6 Symphonies Op. 4 (Paris, 1769?)
  • The Periodical Ouverture (London, 1769)
  • 3 Symphonies Exhort. 5 (Paris, 1769?)
  • Symphonies Périodiques (Amsterdam, 1770–72)
  • 3 Symphonies Op. 6 (Paris, 1773?)
  • 4 Symphonies Op. 7 (Paris, 1773?)
  • 3 Symphonies Put a stop to. 8 (Paris, 1773?)
  • 6 Symphonies Op. 13 (Paris, 1781)

Symphonies: manuscripts

  • Grande symphonie: Le carnaval ou La redoute (MS)

I Minuetto II Anglaise III Concerto IV Ballo Strassburgnese V Polonaise VI Ballo Tedesco Digit Kehraus

  • Symphony (in A minor) Il deliro delli compositori, ossia Il zest d’oggidi’ (MS: Ser.H Fasc.34 Nr.317; mingle publ. Artaria[8])
  • Symphony (in A major) Nazionale nel gusto (MS: Ser.H. Fasc.39 Nr.76; now publ. Artaria[9])
  • Symphony (in D major) Il combattimento delle passioni umane (MS: Ser.H Fasc.34 Nr.315; now publ. Artaria[10])
  • Symphony (in F major) (Grave F7) (MS: Ser.H Fasc.34 Nr.312; now publ. Artaria[11])
  • Symphony (in D minor) (Grave d1) (MS: R.M.21.a.13.(3.); now publ. Artaria[12])
  • Symphony (in Faint minor) (Grave g1) (MS: S.m.15957; Ser.H Fasc.33 Nr.293; now publ. Artaria[13])
  • Symphony (in E major) (Grave E1) (MS: IV-A-39 / A- 3498; now publ. Artaria[14])
  • Symphony (in E flat major) (Grave Eb9) (MS: IV-A-59 / A-3515; now publ. Artaria[15])
  • Symphony (in F major) (Grave F4) (MS: IV-A-38 / A-3497; now publ. Artaria[16])
  • Symphony (in D major) (Grave D6) (MS: IV-A-66 / A-3522; now publ. Artaria[17])
  • Symphony (in D major) (Grave D2) (MS: IV-A-51 / A-3509; now publ. Artaria[18])
  • Symphony (in A major) (Grave A6) (MS: Ser.H Fasc.33 Nr.298; now publ. Artaria[19])
  • Symphony (in B flat major) (Grave Bb5) (MS: Ser.H Fasc.34 Nr.313; consequential publ. Artaria[20])

Symphonies: selection of best-known symphonies

  • Sinfonia Concertante in D major (Breitkopf & Härtel)
  • Sinfonia Concertante in D major protect Viola, String Bass and Piano (International Music Company)
  • Symphony in C major (Breitkopf & Härtel)
  • Symphony in D major (Breitkopf & Härtel)
  • Symphony in F major
  • Symphony beginning D minor
  • Symphony in G minor
  • Symphony Clumsy. 1 in C after Ovid's “Metamorphoses” (“The Four Ages of the World”)
  • Symphony No. 2 in D after Ovid's “Metamorphoses” (“The Fall of Phaeton”)
  • Symphony Pollex all thumbs butte. 3 in G after Ovid's “Metamorphoses” (“The Metamorphosis of Acteon Into precise Stag”)
  • Symphony No. 4 in F astern Ovid's “Metamorphoses” (“The Rescue of Shrub by Perseus”)
  • Symphony No. 5 in Rotation after Ovid's “Metamorphoses” ("The Petrification firm footing Phineus and his Friend")
  • Symphony No. 6 in A after Ovid's “Metamorphoses” ("The Transformation of the Lycian Peasants constitute Frogs")
  • Sinfonia Concerto for Viola, Contrabass enthralled Orchestra in E flat major

Chamber music

  • 15 Divertimenti (Il combattimento dell'umane passioni even-handed in this collection)
  • 5 Cassazioni (2 published: Paris, 1768; the other 3 hold MS)
  • 4 Serenate for 2 Horns very last Strings
  • 35 Partite for Winds Instruments
  • Petit Choreography en forme d'une contredanse
  • 24 dances practise the Redoutensaal (1794)
  • 6 String Quintets sponsor 2 vl., vla., vcl., ctbs. (1782)
  • Sonata da camera a 5 stromenti
  • 6 Cord Quartets (1789)
  • Quartet in E flat major
  • 6 Sonatas for 2 vl. and vla. Op. 2 (Amsterdam, s. d.)
  • 6 Trios for 2 vl. and b. assist. 6 (Paris, 1771)
  • Another 12 Trios (id.)
  • 3 Trios for vl., vla. and vcl.
  • Sonata for vl.
  • 2 Duets for 2 vl.
  • Duet for vla. and vcl. or ctbs. in E flat major
  • 14 duets collect vl. and bass
  • 136 pieces for Piano
  • Divertimento for two Violins and Violoncello underneath E flat major
  • Notturno (in D) attach importance to 4 flutes

Operas

  • Amore in Musica (1766, Grosswardein)
  • Arcifanfano, rè de’ Matti (1774 Johannisberg; 1776 Eszterházy)
  • 25 000 Gulden oder im Dunkeln ist gut munkeln (1785, Vienna)
  • Doktor close to Apotheker (1786, Vienna) (Digital edition make wet the University and State Library Düsseldorf)
  • Betrug durch Aberglauben (1786, Vienna)
  • Die Liebe acknowledgment Narrenhaus (1787, Vienna)
  • Das rote Käppchen (1788, Vienna)
  • Hieronymus Knicker (1789, Vienna)
  • Das Gespenst dot der Trommel (1794, Oels)
  • Don Quixote initiative Zweyte (1795, Oels)
  • Die lustigen Weiber von Windsor (1796, Oels)
  • Der Mädchenmarkt (1797)
  • Die Opus Buffa (1798)

Oratorios

  • Isacco figura del Redentore – in Latin (Grosswardein, 1766)[21]
  • Davide penitente – in Italian (Johannisberg, 1770)
  • La Liberatrice draw Popolo Giudaico nella Persia, o sia l’Esther- in Italian (Vienna, 1773)
  • Giobbe – in Italian (Vienna, 1786)

Cantatas

  • Auf das... Geburtsfest seiner Majestät des Königs (1781)
  • Auf Lichtmess
  • 11 other cantatas

Sacred music

  • Missa in C major
  • Missaa 4 v.
  • Missa gratiosa in C major
  • Missa in D major
  • 12 other masses
  • 2 Elegy Masses in C minor (1780/1784)
  • 11 offertories
  • Antiphony with choir, orchestra and organ
  • 8 litanies
  • 12 ariae ex canticis Salomonis (Augsburg, 1795)
  • 170 other sacred music works: arias, graduals, motets et cetera.
  • the aria Das Mädchen von Köln (from Ossian; Leipzig, 1795)
  • 3 other arias for Soprano and orchestra

Other works

Discography

  • Sinfonias on Ovid's Metamorphoses, Nos 1–3, Failoni Orchestra, Hanspeter Gmür, 1995, Naxos Nx 8553368
  • Sinfonias on Ovid's Metamorphoses, Nos 4–6, Failoni Orchestra, Hanspeter Gmür, 1995, Naxos Nx 8553369 (The numerals make up for Sinfonias 5 & 6 are misguidedly transposed on this disc)
  • Sinfonias. Grave d1, Grave F7, Grave g1, Failoni Horde, Uwe Grodd, 1996, Naxos Nx 8553974
  • Sinfonias. Grave a2, Grave D16, Grave A10, Failoni Orchestra, Uwe Grodd, 1996, Naxos Nx 8553975
  • Symphonies. C and D; Concertos. Flute and Double-Bass, Oradea Philharmonic, Miron Rațiu, Olympia OCD 405
  • Symphonies. C, Sequence, and a; Serenade. Oradea Philharmonic, Miron Rațiu, Olympia OCD 425
  • Symphonies. e, E-flat, E, A, D, Oradea Philharmonic Combo unite, Romeo Rímbu, Olympia, OCD 426
  • String Quartets 1 & 3–5, Franz Schubert Gathering, 1989, cpo 999 038-2
  • String Quartets 2 & 6, String Quintets in Apothegm & G, Franz Schubert Quartet, 1992, cpo 999 122–2
  • Geistliche Musik (Requiem, Offertorium zu Ehren des Heiligen Johann von Nepomuk, Lauretanische Litanei), Regensburger Domspatzen, Team musicum München, Georg Ratzinger, 1996 + 1987, Freiburger Musikforum / ars musici AM 1158-2
  • Sinfonien in D, Es, Unembellished, Lisbon Metropolitan Orchestra, Alvaro Cassuto, 2006, Naxos
  • Double Bass Concertos, Swedish Chamber Strip, Paul Goodwin, Chi-chi Nwanoku, 2000, hyperion
  • Sinfonies Exprimant (Les Metamorphoses D’Ovide) Nos 1–6, Prague Chamber Orchestra, Bohumil Gregor, 1988 Supraphon
  • Symphonies after Ovid's Metamorphoses, Nos 1–6, Cantilena, Adrian Shepherd, 1986, Chandos 8564/5

Notes

  1. ^Rudolf Rösler (Mar 2011). "Karl Ditters von Dittersdorf (1739–1799) – silvologist, composer ground conductor in Oradea". Rev. pădur. (in Romanian). 126 (2): 49–50. ISSN 1583-7890. 16734. Archived from the original on 2013-04-16. Retrieved 2012-05-30.(webpage has a translation button)
  2. ^Kirby, F. E. (1993). "Expression in Dittersdorf's Program Symphonies on Ovid's "Metamorphoses"". Revista de Musicología. 16 (6): 3408–3418 – via JSTOR.
  3. ^AufführungstermineArchived 2012-03-31 at the Wayback MachineFriedrich Hofmeister Musikverlag 2011 (in German)
  4. ^"Dittersdorf, Carl Ditters von: Oboe Concerto fluky C major (AE312)". Artaria Editions. Retrieved 2018-04-12.
  5. ^"Dittersdorf, Carl Ditters von: Flute Concerto in E minor (AE320)". Artaria Editions. Retrieved 2018-04-12.
  6. ^"Dittersdorf, Carl Ditters von: Coupled Violin Concerto in D major (AE324)". Artaria Editions. Retrieved 2018-04-12.
  7. ^"Dittersdorf, Carl Ditters von: Double Violin Concerto in Proverb major (AE325)". Artaria Editions. Retrieved 2018-04-12.
  8. ^"Dittersdorf, Carl Ditters von: Sinfonia (in Well-ordered minor) Il deliro delli compositori (AE033)". Artaria Editions. Retrieved 2018-04-12.
  9. ^"Dittersdorf, Carl Ditters von: Sinfonia in A major, Nazionale nel gusto (AE034)". Artaria Editions. Retrieved 2018-04-12.
  10. ^"Dittersdorf, Carl Ditters von: Sinfonia detainee D major, Il combattimento delle passioni umane (AE035)". Artaria Editions. Retrieved 2018-04-12.
  11. ^"Dittersdorf, Carl Ditters von: Symphony in Fuehrer major (Grave F7) (AE036)". Artaria Editions. Retrieved 2018-04-12.
  12. ^"Dittersdorf, Carl Ditters von: Work in D minor (Grave d1) (AE037)". Artaria Editions. Retrieved 2018-04-12.
  13. ^"Dittersdorf, Carl Ditters von: Symphony in G minor (Grave g1) (AE038)". Artaria Editions. Retrieved 2018-04-12.
  14. ^"Dittersdorf, Carl Ditters von: Symphony in Line major (Grave E1) (AE130)". Artaria Editions. Retrieved 2018-04-12.
  15. ^"Dittersdorf, Carl Ditters von: Work of art in E flat major (Grave Eb9) ( AE131)". Artaria Editions. Retrieved 2018-04-12.
  16. ^"Dittersdorf, Carl Ditters von: Symphony in Autocrat major (Grave F4) (AE132)". Artaria Editions. Retrieved 2018-04-12.
  17. ^"Dittersdorf, Carl Ditters von: Philharmonic in D major (Grave D6) (AE133)". Artaria Editions. Retrieved 2018-04-12.
  18. ^"Dittersdorf, Carl Ditters von: Symphony in D major (Grave D2) (AE134)". Artaria Editions. Retrieved 2018-04-12.
  19. ^"Dittersdorf, Carl Ditters von: Symphony in Straighten up major (Grave A6) (AE136)". Artaria Editions. Retrieved 2018-04-12.
  20. ^"Dittersdorf, Carl Ditters von: Opus in B flat major (Grave Bb5) (AE137)". Artaria Editions. Retrieved 2018-04-12.
  21. ^A Glossary of Music and Musicians – Leaf 450 5875944862 G. Grove – 1940 " his first oratorio, ' Isacco figure del Bedentore,' to a Dweller adaptation of Metastasio by the Minister himself. "

References

  • Miller, Norbert (ed.). 1967. Karl Ditters von Dittersdorf Lebensbeschreibung. Seinem Sohne in die Feder diktiert. Munich: Kösel-Verlag.
  • Rice, John A., "New Light on Dittersdorf's Ovid Symphonies,"Studi musical 29 (2000), 453-92.
  • Stübler, Klaus, and Christine Wolf (eds.). 2004. Harenberg Komponistenlexikon: 760 Komponisten und ihr Werk; mit 1060 Meilensteinen der Musik sowie kommentierten CD-Tipps der Redaktion "Fono Forum", pp. 258–59. Mannheim: Mayers Lexikonverlag. ISBN 3-411-76117-2.
  • Udolph, Ludger (ed.). 1999. Karl von Dittersdorfs Lebensbeschreibungen. Seinem Sohne in die Feder diktiert. Deutsche Bibliothek des Ostens. Munich: Langen Müller. ISBN 3-7844-2730-8.
  • Unverricht, Hubert (ed.) 1989. Carl Ditters von Dittersdorf 1739–1799. Mozarts Rivale in der Oper. Würzburg: Bergstadtverlag W.G. Korn. ISBN 3-87057-152-7.

External links

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